I’ve been having fun exploring Egyptologist Dora Goldsmith’s Ancient Egyptian Smell Kit.
Goldsmith reconstructs the smells that ancient sources describe—including the smell of mummification (made up of the many fragrant substances the ancient Egyptians used to mummify their dead, the wood coffins, and the floral garlands placed upon the mummy before the coffin was closed). Two of the scents, Kyphi and Mendesian, were perfumes produced in ancient Egypt. The kit also includes scent reconstructions of ancient Egyptian gardens, festivals, and floral-lined ponds where love poems were set. The temple smell reconstruction is a complex mixture not only of incense and sacred oils used in ancient Egyptian temples, but also the smells of food offerings made to a deity: roast meat, bread, sweet cakes, milk, beer, and wine. Goldsmith includes descriptions of each scent along with excerpts from translated ancient sources mentioning each fragrant substance.
Encountering the scents in this educational, historical context feels simultaneously “transportive” and familiar, taking a subject that can easily feel distant and remote from my present reality, and grounding it in smells I recognize and experience in an intimate, embodied way.
Using scent as their medium, Bright Black Candle is doing amazing things. Their Diaspora collection first of all smells wonderful, and also uses those wonderful smells to accomplish a larger vision.
Captivated, I contacted them to learn more about their thought process behind this project. Tiffany graciously shared some of her inspiration and vision with me, so I’m going to draw upon her words here. On a fundamental level, Bright Black Candle creates “an explicit sensory experience that connects positivity and Blackness. And we wanted to use scent because it is such a powerful form of sensation that we thought we could really share stories and memories and aspirations through this medium.” They’re using scent to “foster connection through community dialogue. We want to create safe spaces for people to honestly and humbly and confidently discuss the pain and hope and joy and challenges with race in general, and in particular, with Blackness.” Scent has this power to invoke history, connect us with present realities and inspire change for the future, to foster conversation—all in such an intimate and experiential way.
Keep Tiffany and Dariel on your radar: in 2020, they’ll be rolling out blog content with more about the history and narrative that each city in the Diaspora collection holds, and they have more candle collections in the works!
How cool is this? The (remaining) original “Smell Brain” by Hans Laube, the smell-disseminating organ for the only feature film written for scent: The Scent of Mystery in 1960. Miles of tubing disseminated scents to the audience at key moments of the film.
The film and its ambitious scenting mechanics went down in history as failed experiment: the first and the last major motion picture to be written for scent and screened with scent. Recently, however, the film and its scents have been screened again by @inglorious_smellovision, who has a documentary coming out soon! Visit their website to read more.