Natural vs. Synthetic Perfumery: How to Make a Rose

yellow roses among leaves

What is the difference between “natural perfumes” and “synthetic perfumes”? Let’s use rose as an example.

For a rose note in their perfume, a natural perfumer will use rose essential oil, distilled directly from roses. In the bottle, that rose essential oil contains all the different aromatic molecules that came from the particular roses distilled in that batch. It’s one essential oil, but it contains a multitude of molecules — around 300-450 different aromatic molecules. Different rose essential oils vary in quality, and can have different characteristics.

For a rose note in their perfume, a perfumer working with synthetics will use the individual molecules as building blocks to craft the precise rose they want. A generally rosy note can be created with just the 3 main aromatic molecules of roses: geraniol, citronellol, and phenyl ethyl alcohol (PEA). For more rosiness, adding rose oxide, beta-damascenone, and beta-ionone goes a long way. From there, they can build their rose to be green, or fruity, or a tea rose. They have more control over how their rose molecules will overlap and interact with the other notes in their perfume, because they are in control of each molecule and its ratio.

Natural perfumery, to me, is more about sourcing high-quality materials, then blending them with restraint. A formula for a natural perfume is generally a lot shorter than a perfume formula built with synthetics. With synthetic materials, however, there’s so much more you can build and create (and more consistency you can achieve) than with a naturals-only palette.

Counter to a lot of misinformation out there, synthetic perfume materials have many environmental and health advantages over natural materials. Because the aromatic molecules present in roses are not only present in roses, many synthetic molecules can be produced in “upcycled” ways, like getting linalool from wood pulp, or vanillin from the “waste” of the paper industry. It’s also easier to control potential allergens or irritants when working with the isolated molecules of synthetics. So don’t get taken in by fear-based marketing implying that natural is always safer.

Natural Perfume

Periodically I crave to wear natural perfumes. It’s like changing the radio station to a different genre of music—not necessarily better or worse than synthetics or mixed media perfumes, but a different character altogether. (There’s a lot of hyperbole out there that would have you believe that “natural” is a superior moral position over “synthetic”; in perfumery, however, the truth is much more complicated.) It’s like choosing a watercolor painting instead of a photograph—it’s simply a different experience.

Maybe it’s the summer heat, but lately I’ve been craving naturals more and more! These are some of my favorites from Jolie LaideJ Hannah CoAftelier Perfumes (I’m especially loving Mandy’s solid perfumes!), and Laromatica Perfume.

I’m always looking for more to try—what are your favorite natural perfumes?

Creative Process: Mix It Up and See What Happens

natural perfume

Last year I took a natural perfume blending intensive class with Jessica Hannah at The Institute for Art and Olfaction. At the end of the introductory night, we made our own formula. I told Jessica, “I’m so into these 5 materials, but I don’t think they’ll ~go together~” and she said, “Let’s do it! Go for it, mix ‘em and see how it goes!” The result was this surprisingly lovely mix of benzoin and vetiver, lavender absolute and jasmine grandiflorum, and pink grapefruit.

I’ve learned a lot about blending perfumes since then and I have a lifetime of learning ahead of me, but I still put this on every once in a while as a kind of perfume “palate cleanser” and as a reminder to go for it, to mix things up and see how it goes!